Kamikaze Crankbaits
by Nick Ruiz
Nine out of ten times, when an angler hears
the word "crankbait",
the immediate picture that comes to mind is a large lip, deep diver
in clear, obstruction free, open lake water. Not so. If by the
end of this article, I manage to convince you that this is not the
only
application to use such crankbaits, then I have done my job. What
we're discussing here just ain't your daddy's crankbaits, anymore!
The first time I discovered the value of using traditional crankbaits
in heavy cover, the only way I could describe the results, was "unbelievable".
That experience entailed throwing a Worden's Timber Tiger, a perfect
bait for this application, into a venerable maze of standing timber,
and gigantic laydowns, something I thought at the time, was just
short of insane. I figured by doing this, I would just run up a
huge bill
in the form of lost cranks. Incidentally this tune immediately
changed significantly when bass began literally coming out of the
wood work
to slam the fleeing lure. Though as simple as it sounds, to throw
cranks into cover, there is a certain amount of judgment and skill
reacquired
to make a technique like this really work properly. With this tactic,
location, as well as the actual type of physical cover, will both
play a huge roll in determining weather you're pulling bass out
of the heavy
stuff, or spending the rest of the afternoon in the tackle shop,
replacing lost lures.
First of all, we'll discuss the type
of cover needed to perform this seemingly suicidal presentation. While
the technique in theory
can be applied to anything, a degree of judgment must be used to
determine the effectiveness of such a bait in a situation. I prefer
large laydowns,
standing timber, stumps, and a variety of man made structures,
the best of which by far is anchored docks and bridge support pylons.
You'll
usually want to avoid anywhere with a large amount intricate tangles,
such as the end branches of laydown logs, cat tails, bull rushes,
and man made Christmas tree type reefs. Here is where a good pair of
polarized
sunglasses and a keen eye for productive cover will serve you more
than well.
The basic technique, which I have learned through trial and error
is to intentionally "crash" crankbaits into large, solid pieces
of structure. The purpose of which is to create the effect of a
disoriented,
fleeing baitfish, hell bent on escape from a predator. As it turns
out, the number one reason for strikes for this presentation, is
usually not visual. Rather, the sound and more importantly the
vibration produced
when a crankbait comes in contact with various pieces of cover.
A large crankbait speeding it's way through a stump field, knocking
and bouncing
off wood makes quite a vibration and sound array underwater, which
will travel 10 times father than it would above the surface. Which,
as I have leaned is the equivalent of ringing an aquatic dinner
bell, for actively feeding fish. Of course each crankbait and each
type of
cover will produce a different sound pattern, but regardless, idea
is generally the same. Experimenting with different baits in different
situations, will eventually yield a few front runners that you
will want to use all the time for this technique. For education
sake, I
will list my favorites but these are not even close to the tip
of the iceberg, as undoubtedly each body of water will have its
own top producers.
So far, through experience on a few different bodies of water,
I have found that the Bagley's Killr' B, the Poe's Competition Cedar,
the Risto Rapala, and my personal favorite the Worden's Timber Tiger
series, are a safe bet when fishing this method. If you are familiar
with these baits, you might notice they share some design similarity.
The importance not being in the body, but rather a very wide lip. The
lip in this case is a bit more important than the body, as it is usually
the lip that makes contact to the cover you are intentionally running
it into. A wide lip will give maximum sound and vibration when contacting
cover and will also deflect the rest of the bait clear as to prevent
snagging as well as damage to the bait itself. Another great bait to
use with this method is the Poe's Pro Cedar crankbait series as I have
used them frequently and have rarely had problems with them hanging
up, and should they snag, the cedar is incredibly buoyant, it will
sometimes actually float free. Finally, a bait that works extremly
well in this situation is the extremly hard to find Fred Arbogast "Mudbug" crankbait.
This huge, metal lipped monster is perfectly suited for this method
of fishing, as apparent from its design, and the testimony of those
who use it. Though what ever your favorite bait might be, the technique
is basically the same. As far as color, in this particular discipline
of fishing, its one of the least important factors in the equation.
As long as the sound and action are there, the color is generally
less important. A good rule of thumb is to keep the colors natural.
Shad,
sunfish, and perch patterns work well, even in the muddiest water.
Again, sound being the big seller here.
While on the subject of running crankbaits into things, let me say
that if there was a secret was a secret weapon hidden within a technique,
it would be this. If by chance you come across metal pilings of any
sort, FISH IT! Apparently the sound of crankbait meeting metal overrides
some sort of primeval instinct of the bass, that just makes it want
to kill that lure. I have had experience with small mouth in a small
river system, as well as largemouth in a lake chain, where metal bridge
supports are common place, and I will say the results are absolutely
mind boggling. Though I am not positive of what makes this so effective,
my guess is that is has to be the sound. Like I mentioned earlier,
apparently plastic on metal does something to bass that I wish all
the other things we did to catch them did!
With this in mind, the next time you hit
the water and the old stand by's aren't paying off the way you'd like
them to, consider thworing
some "Kamakazee Crankbaits". You might be pleaseantly suprised
with the end results.